Perceptual meltdown after Granular Synthesis retrospective at the STRP festival in Eindhoven, in the old Philips facilities in the Strijp area.
The festival´s focus this year was a retrospective on maximalists austrian media art group Granular Synthesis. It was a unique opportunity to see a lot of the group´s work as well as newer work by the two members Ulf Langheinrich and Kurt Hentschläger. If you have ever seen any of their work before you would guess that this would be an overkill event, and you are right. The works are intense audiovisual bombardements, they physically attack your senses and that does something with your body and mind.
The Granular Synthesis performance installations POL and modell 5 are large scale multiple projections with a corresponding large sound system, which worked well in their monumental way in the factory space.
The solo works are not that large-scale, but more intense. Ulf Langheinrich showed Hemisphere (which I mentioned earlier from the exhibition “from spark to pixel”) and Drifter. Kurt Hentschläger showed Cluster and Zee, which could be seen as offsprings from his ARS electronica performance Feed in 2007. Zee is basically a room filled with smoke, with stroboscopic images projected into the smoke. You loose all reference to the physical space and experience psychedelic visions.
All their works relate to perception, and it was an interesting coincidence that I was reading The Space between our Ears while I was at the festival.
It was a bit strange to experience Granular Synthesis at STRP, since the audience is mainly a quite young techno crowd, and the difference between a trippy techno party and an installation like Zee is pretty vague.
Apart from the retro media artists there wasn´t so much of interest at the festival, the exhibition was a mix of two trends in the media art scene: The commodification of media art on the one side: beautiful objects in perfect collector size, and the technology fascination on the other side.
The Strijp area contains more than the festival. It is the site of the former Philips research lab Natlab, in the art world probably best known for the creation of le poéme electronique, a collaboration between LeCorbusier, Varese and Xenakis for the World Expo in Brussels in 1958 (I will probably write a bit more about this in a separate post).
The old Natlab is now dead, but last fall Baltan laboratories emerged in another part of the Strijp complex, a media lab with a fantastic space and with interesting artists like Telcosystems and Geert Muul involved. I will give a presentation there in the end of may as part of their monthly public Natlab sessions.