junction: light motion installation under King William Bridge for the Adelaide Festival of the Arts

junction

photos by Paul Armour. For larger versions (and a few more images) go to the junction album on flickr.

I was commissioned to make a new installation as part of the blinc program for the Adelaide Festival of the Arts which took place end of february / beginning of march 2015. Blinc, curated by Craig Morrison and Joel Cockrill, was a series of outdoor projection and light-based art works, including works by Squidsoup and Bordos Artworks among others.

I chose my location based on some images Joel sent me, and I immediately got drawn to the beautiful arches of the pedestrian walkway / bike path underneath the King William Bridge, situated in Elders Park in the center of Adelaide.

elderpark-adelaide

The underpass is about 40 m (130 ft) long and 9 m (30 ft) wide with 9 arches. I wanted to work with the space in a similar way to what I did with trace at LIAF and Todays Art, constructing a grid of LED lines that animates and activates the structures of the space, in this case mainly the arches.

The unusual thing about this project for me was that it was a site-specific project where I didn´t have the possibillity to go there myself. I selected the location based on photos and created the setup based on drawings and an idea of how I wanted it to look. I prepared a detailed manual for the construction of the installation and the festival crew did a good job with the remote install.

This was obviously not an ideal situation, as for this type of work I am really interested in a more direct dialogue with the space, leaving room for improvisation and adjustements, and I quite enjoy the manual labour involved in building up installations. Also, not having been there myself makes the project less real somehow, especially since I like to emphasize the physical experience of my installations. That being said I was extremely lucky to get in touch with Paul Armour based in Adelaide who did a great job documenting the installation under difficult conditions. It gave me a chance to experience my own work the way most people do, through images and video published online.

One thing I discovered watching the video documentation was the fantastic soundtrack created by the cars passing over the bridge which I think worked really well with the motion of the light pulses.

revolver

Revolver is a new work by HC Gilje, commissioned by Sonic Acts and developed for The Dark Universe exhibition at NASA, Amsterdam. It evolved from Gilje’s earlier light installation 7 Cirkler (ZKM, 2012).
It is a structure of light animations using three circles of LED-lights. Combined together this produces complex patterns of light and shadow on the walls in the exhibition space.


Revolver and 7 cirkler have several things in common: light animations moving on the inside of circles suspended from the ceiling, casting shadows of the circles onto the surrounding walls. They both use white, red and blue, and they both exploit the effect of complementary colours that appear in the shadows.
They are put together quite differently though. 7 cirkler is a composition clearly connected to the music of Else Marie Pade: The light moves upwards in the circles with alternating white and blue circles and descend with alternating white and red circles.
Revolver consists of three circles which are spaced as tightly together as possible to achieve a very narrow band of colors on the walls. They are hung at eye-height with the idea that people will first discover what is going on on the walls rather than look at the lights. The walls are a much more integrated part of the work in revolver, as the shape is designed to work with the projections from the circles.

The biggest difference is the structure and relation of light and sound. 7 cirkler was a composed piece. I think of revolver more as a audiovisual-spatial drone, an endless loopmachine: It is basically the layering of simple loops resulting in a more complex structure.
Loops of lights and sound are brought into the exhibition space, where they are tuned and mixed in the physical space. So it is the interference of sound and light waves, together with the physical construction of the circles and surrounding walls that creates the mix. This means I have a vague idea of what might happen when I start setting up the installation, but it´s really working in the space (experimenting with speed, width and color of light) that determines how the installation turns out.

The combined movement of light and sound creates a space that revolves around you. In much of my work I seek through repetitive slow movements to create something that resonates with the body, establishing a correspondence between mind and the physical space through the body.

7 cirkler

Last year I was asked by curator Morten Søndergaard if I wanted to contribute to  “Unheard Avangarde” which was to be a section in the big sound art exhibition at ZKM (which opened end of March 2012). The idea was to combine contemporary artists with works by pioneer composers of electronic music in Scandinavia. I was initially reluctant, but after hearing the music I was sold. I was asked to work with the composition 7 cirkler by the Danish composer Else Marie Pade, which she made in 1959. She was inspired from visiting the planetarium at the Brussels World Expo in 1958, and using tone generators and tape she created a system of building up layers (circles) of sound and then reversing the process and end up with just one circle again. Here is a diagram showing how she constructed the composition:

I was interested in making a similar structure with circles of light animations combining into more complex light-shadow patterns.

The installation is on display until January 2013 at ZKM

in transit

My new light installation created for the 3rd floor of Woodstreet Galleries. It´s a 15m (50 ft) animated light installation running through the whole space.

portrait by Joey Kennedy. Copyright All rights reserved by joeykennedyphotography

blink @ woodstreet (Projected Light Space)

Woodstreet Galleries solo exhibition

I am showing 4 works over two floors at my first US solo exhibition at Woodstreet Galleries, which runs until April 8th.

On one floor I am showing three projection works: frame #2, circle #4 and blink@woodstreet. On another floor I am showing a new light installation, in transit (top picture) which is a 15 m animated light installation. To see more documentation (photo+video) follow the link to the different works.

The exhibition was supported by Pittsburgh Cultural Trust, Fond for lyd og bilde, Bergen Kommune and Kontainerkorporation.

Two new works

I have made two new works for my exhibition at IMAL, which is my first solo show in Belgium (29.04-22.05.2011).

As in my recent installations blink and split I am interested in relating directly to the architecture of the exhibition space. The main IMAL space is about 200m2 with a grid of 12 columns.  The circular discs are freestanding sound modules (five in total) placed on the floor. A slowly-paced sequence of projection and sound transforms the space into a contemplative environment.

The other installation explores through projection,light and reflection the inside,outside and perimeter of a circle mounted at a 90 degree angle to the floor. This is a first in a series of work creating dynamic volumes out of precisely cut flat shapes (in this case using a cnc mill).

For more images (also in print quality) from both installations take a look at my flickr set from the exhibition.

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