Woodstreet Galleries solo exhibition

I am showing 4 works over two floors at my first US solo exhibition at Woodstreet Galleries, which runs until April 8th.

On one floor I am showing three projection works: frame #2, circle #4 and blink@woodstreet. On another floor I am showing a new light installation, in transit (top picture) which is a 15 m animated light installation. To see more documentation (photo+video) follow the link to the different works.

The exhibition was supported by Pittsburgh Cultural Trust, Fond for lyd og bilde, Bergen Kommune and Kontainerkorporation.

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Two new works

I have made two new works for my exhibition at IMAL, which is my first solo show in Belgium (29.04-22.05.2011).

As in my recent installations blink and split I am interested in relating directly to the architecture of the exhibition space. The main IMAL space is about 200m2 with a grid of 12 columns.  The circular discs are freestanding sound modules (five in total) placed on the floor. A slowly-paced sequence of projection and sound transforms the space into a contemplative environment.

The other installation explores through projection,light and reflection the inside,outside and perimeter of a circle mounted at a 90 degree angle to the floor. This is a first in a series of work creating dynamic volumes out of precisely cut flat shapes (in this case using a cnc mill).

For more images (also in print quality) from both installations take a look at my flickr set from the exhibition.

Results from openLAB exhibition at IMAL

In beginning of April IMAL hosted an openLAB workshop called “Projections on forms and spaces”.
The workshop was led by me and was mainly based on using VPT. We selected 7 projects to be realised during one week development at IMAL, and the documentation is now available from IMAL.

It was an intense and interesting week, and interesting to see VPT explored for new uses in installation and performances. A new development for me was to introduce a simple video and audio trigger setup (available in the xtension section), which allowed for some audience interaction, as well as use of the serial module for controlling lights inside sculptures.

Light on White at Oslo Lux

Last week the symposium Oslo Lux took place at the School of Architecture and Design in Oslo, organized by Anthony Rowe and Ståle Stenslie.

It was a one day event with speakers from art, architecture and design discussing uses of light in different projects. I spoke at the seminar, created a snow projection and gave a 2 days VPT workshop so it was a very intense but interesting week.

The keynote speakers were AntiVJ and UVA. The list of speakers  also included Timo Arnall who had a very interesting talk on light painting, presenting work of people which I felt I should have know about already (Gjon Mili, Michael Weseley, Eric Staller). His second topic about visualizing the RFID and wifi networks range was also interesting. In fact the mix of speakers and topics made the day go by really fast!

I went to a separate event at Atelier Nord earlier in the week where Joanie and Simon from AntiVJ gave a 2 hour enthusiastic talk about their work. They were very excited about real-time software, and it reminded me a bit of the same energy which I experienced ten years ago with realtime video software like Imagine, nato and jitter.

White on Light video:

I was part of the exhibition and decided to do an outdoor snow projection. Unlike my previous attempts on working with snow I decided to not try to build anything with the snow, but instead cut out a piece of snow and work with the top curvy surfaces and the edges. It seems I am unable to make anything but slow meditative pieces nowadays, but the result wasn´t that bad, really.

More images from the projection at flickr.

The two day VPT workshop at Atelier Nord was fun, a very focused and eager-to-learn group, and several of the participants have already started doing their own projects with the software, which is exciting.

snitt

On November 13th my second solo exhibition at Galleri 21 in Malmö opened, and it runs until December 5th.

I created two site-specific installations, which both derive from recent work, investigating the relation between light/projection/shadow,space and movement.

At the moment I only have decent documentation of one of the works, so I will just briefly mention “Kaos på dej”, which is basically a variation of the blink (light/shadow) installation but with some furniture.

Snitt, which spanned over three rooms in the gallery, is a projection of a white line onto the surfaces of the gallery: “A straight line moves slowly through the three rooms of the gallery space, cutting the space into different sections (snitt). The movement of the line, “attacking” the space from different angles, focus the attention of the viewer on the physical qualities of the space.

The physical properties of the galllery space (the walls, ceiling,floor, door openings, light fixtures etc) modulates/breaks up the straight line into a continuously evolving pattern of line fragments, depending on the position of the viewer and the angle of the line in relation to the architecture.”

The view in the inner room:

And here is a video showing some of possible configurations of line-space.

If you still want to see more, here is a slideshow.

U trust blink?

I spent last week in Dortmund, preparing for the Trust exhibition, showing at the new Dortmund U. Trust is an exhibition curated by Andreas Broeckmann and Stefan Riekeles as one of the exhibitions for ISEA2010 which takes place in the Ruhr area later in August.

Dortmund U used to be the Union Brauerei (brewery), and is now turning into a center for different cultural activities.

I am showing a new version of blink, with new sound and a few visual changes as well.

Other participating artists in the exhibition:

Seiko Mikami (jp), Carsten Nicolai (de), knowbotic research (ch/at/de), Milica Tomić (rs), Ariel Guzik (mx), Joan Leandre (es), Joyce Hinterding (au), Julien Maire (de/fr), Naeem Mohaiemen (bd), Sophie Bélair Clément (qc/ca), Konrad Becker (at), Verena Friedrich (de), Antoine Schmitt (fr).

I am happy to be part of this group of interesting artists, and look forward to the catalogue which will be ready for the ISEA conference.

The exhibition is on until September 5th.

puls

light installation in the Fantoft-Paradis tunnel in Bergen, commissioned for the new metroline Bybanen which opened in end of june 2010.

The installation consists of two long wave patterns of light, one side red-white, the other blue-white. The total length is about 400m. The two wave patterns overlap, so for about 100 m you will see both the red and blue pulse. The material used is neon rope light.

Together with Marius Watz I was invited to make either a light or video work for one of the tunnels for the new Bybanen metroline in Bergen. You can see some images from Marius´ installation here.

I wanted to work with the fact that the train is moving at about 70km/h (about 20m/s) through the tunnel, using the movement of the train as a way of animating the two wave patterns mounted on the tunnel walls.

There were some interesting challenges to this project, as the installation was supposed to be ready for the opening of Bybanen in end of june. This meant I had to send in the proposal for the installation before the trains started to run. I ended up making an animation of some simple waveforms in Processing, which gave a pretty good impression of how this would be experienced when sitting in the train.

There are a lot of factors influencing how the work is experienced.  If you sit by the window closest to the tunnel wall the wave breaks up into rapidly changing curves and lines. If you sit closer to the middle of the tunnel you will see longer stretches of the wave. You will also see reflections of the waves in the windows of the train.

One thing I don´t have control over is the light inside the train, which is really bright. This dimishes the effect of the neon rope light washing the tunnel in different blends of blue, red and white (and potentially casting coloured shadows of the passengers onto the tunnel wall). Thus the installation exists in two different modes: The tunnel as a light modulator which can only be experienced when being inside the tunnel without any trains, or as animated wave pulses when riding the train through the tunnel.