touch-punkt night in Budapest

touchpunkt

Last week I was in Budapest for the first time, a fantastic city!

I was invited to take part of a Touch – Punkt event as part of the Temps d´Images festival. The Touch label came with Mike Harding and Jon Wozencroft which gave a short seminar, and with the artists BJNilsen(laptop)  and Hildur Ingveldardóttir Gudnadóttir (cello).

The concept of Punkt, which is a festival in Kristiansand run by Erik Honoré and Jan Bang is to sample a concert as it is being played, and using that sampled material as the basis of their own concert following straight after. They had invited Sidsel Endresen to join them on vocals, and Andras Halmos from Trafó had invited me to create the visual part of the concert.

I wanted to stick to the concept of using the first concert of BJNilsen and Gudnadóttir as the departure point for my video.

budashortstrip2

I created a very long image buffer, 12000×480 pixels. For recording, I could move sideways through the buffer and add images into the buffer, and eventually adding layers of overlapping images as the two concerts progressed. The image above is a small sample of what the buffer looked like at the end of the concert. For playback I had a very slow horisontal movement, so it would take several minutes to move through the buffer.

I wanted the recording head to move faster than the playback head so the images wouldn´t appear in a chronological order, and which also created some interesting layers of time.

Unfortunately I still don´t have any good images from the concert, the one at the top of the post is taken from my video camera with nightshot on, but you get an idea of the scale, it was a huge image behind the performers.

I was also supposed to do an hour presentation at Kitchen Budapest for maybe 10-15 people, but they convinced me to participate in a tech-pecha kucha event (so 20 slides, each showing for 20 seconds= 6min 40 sec) at the Merlin Theater with 300-400 people in the audience, so that was a strange but interesting experience. My impression was that people were sincerely interested in the content, my previous experiences with pecha kucha events has had a strong focus on entertaining, but superficial presentations.

By a weird coincidence one of the other presenters was Maté Gaspar from the theatre company Krétakör (website in hungarian) who I had been in touch with a year ago, so I got to visit their amazing workspace.

I also got a short tour of the Kitchen Budapest facilities, and finally met Adam Somlai-Fischer, who was supposed to be part of my seminar last fall.

Hotel Modern: Kamp

Hotel Modern: Kamp, originally uploaded by hc gilje.

I have followed Hotel Modern´s work online for a while, but haven´t had a chance to see their work before now. I find the way they combine live animation with stage performance, and through this the transformation of scale, very inspiring.
I saw the performance Kamp, which was part of the political theater festival Echt! in Köln, november 2008.

The stage floor, about 8x8m, is filled with a replica model of the Auschwitz concentration camp. The back and sides of the stage are covered in white.
Three persons are busy with something in one part of the model.
The light comes down and we see a masked circular projection at the center of the white backdrop. You hear the sounds of people working.
You are watching details from the models, being filmed and animated by the crew of three persons.
The whole performance consists of a series of scenes from different parts of the model, with large groups of people (models of prisoners or guards) being moved around (like extras in a filmshot), and the focus shifts between overview of the whole camp to close-up actions showed on the screen. Since everything is miniature, any camera movement is possible: slow horisontal movements, spectacular crane shots, combined with effective lighting.
It is as watching a film and seeing the making of it at the same time, without it ever becoming gimmicky.
There is no text, only the sound from the camp: environmental sounds recorded in Auschwitz mixed with live sounds from the action on stage. The sound is very important for both focusing on the particular details but also for linking the video projection with what is happening on stage: You never loose the connection between details (filmed) and the whole model of the camp.

There is something very interesting in that you see the whole space the whole time, and that the performance is basically a navigation through that space. It could also be seen as a animated documentary, the crew is just registering the events happening in the camp.
It´s a dark piece, but it avoids becoming sentimental (maybe because there is no music or text?), thus becoming a very effective way of describing what happened in Auschwitz.

A few more images here.

in the dutch mountains

hc shrinked, originally uploaded by hc gilje.

Last week I did a short dutch “tour”, seeing some interesting performances and exhibitions.
I am only going into detail on one of them, but would like to briefly mention the others.

I had the opportunity to see work from two of the artists speaking at my seminar this fall, Kirsten Dehlholm from Hotel Proforma and Lawrence Malstaf.

Hotel Proforma was showing their now classic Orfeo opera, at Zaantheater. The performance combines the choreographed singers from the Latvian radio choir with a very effective set-design. The set-design seems to be quite inspired by Svoboda, with a endless staircase inside a large frame being lit in many different ways to create a quite dynamic image.

More images from Orfeo

Lawrence Malstaf was given the ART & TECHNOLOGY AWARD 2008 Witteveen + Bo at the Lebuinuskeerk in Deventer where he presented two works, shrink and The Long Now.

More images from Shrink and The Long Now

I was invited to see a tryout of “Licht is de Machine”, a music theater performance by Veenfabriek. My interest in it was mainly Joost Rekvelds kinetic light installation which disappointingly was only in the last 10 minutes of a 2 hour performance. The performance was in a huge hangar outside Leiden, and also here the stage was using a frame.

more images from Licht is de Machine

I saw two good exhibitions in Amsterdam, “Speaking out Loud” at the Netherland Media Art Institute and a spooky exhibition about voodoo in Haiti at the Tropenmuseum.

more voodoo images

Finally, I went to see the dutch group Hotel Modern in Köln, but you can read more about that in a separate post.

UT-21: polish norwegian art project

UT-21 is an art project that invites 7 Polish and 7 Norwegian artists to work in Lillehammer- Norway, outside galleries and Museums.
The name UT-21 reflects two things:

  • UT can simply mean ”out” (of the Museum) or ”without title”

  • 21 refers to the fact that in 1987 there was a similar art project in Lillehammer with Polish and Norwegian artists and that in 2008 it will be 21 years since this took place.

‘UT-21’ presents interventionistic art which comprises land art, urban interventions etc. Interventionistic art means art projects which in one way or another include or reflect the physic, social or mental structures associated to a special place. The works are often characterized by being temporary and procedural. Points of contact with daily life and the surroundings we all relate to in a close and natural way, the landscape and the urban environment, may enable the communication between the work of art and the observer to become both more unpredictable and immediate than an encounter with art in a traditional setting. We want to create an exciting and intensive meeting between art and public, between art from Poland and Norway, in the tradition art outside galleries, in 2008 in Lillehammer.

Participating artists:

Jan Berdyszak, Teresa Murak, Janusz Baldyga, Egil Martin Kundøl, Marit Arnekleiv, Leszek Golec, Tatiana Czekalska, Marte Aas, HC Gilje, Elzbieta Jablonska, Anna Widén, Oskar Dawicki, Maciej Kurak, Maksymilian Skorwider, Grim Erland Lyng Svingen, Victoria Pihl Lind.

Images of some of the projects

the UT-21 website

spring sightings

nodio five-aside 2008, originally uploaded by hc gilje.

the last few months have been packed with lab work and a few public appearances.
I made a 5-channel nodio installation as part of a group show at Visningsrommet USF in Bergen, trying to develop further the idea of composing a circular audiovisual composition.
A few more images can be found here.

HKmark1 was part of a program curated by Per Platou, shown at the FESTIVAL INTERNATIONAL DE FILM ET VIDEO DE CREATION in Beirut, Lebanon. The day after the screening the rest of the festival was cancelled due to the violence in Beirut.

The queen is the supreme power of the realm, the piece commissioned by ZKM and Musikfabrik in 2007, was performed at this years Moers festival in Germany, on may 9th. The Moers festival looks like any summer rock festival, with a camping ground, people in a good mood (for various reasons), a wide selection of temporary tatoos, hair extensions, falafels etc. What is different is that it is a jazz/impro festival (for instance John Zorn was playing later the same evening), and the main venue is a huge circus tent. It was also a first for this festival to present a contemporary music ensemble like Musikfabrik.

mikro performance

mikro performance, originally uploaded by hc gilje.

Mikro is a series of improvised performances using the immediate surroundings as raw material: A microscope captures everyday objects and surfaces like wallpaper, coins, clothing, furniture, newspapers and transforms it into an explosive universe of textures. Contact microphones and electromagnetic sniffers pick up unhearable sounds to create the live soundtrack.
Mikro is a collaboration between HC Gilje (video) and Justin Bennett (sound).
Performances so far:
Paradiso (Amsterdam), IMAL (Brussels), TAG (den Haag), DNK (Amsterdam), Bergen Kunsthall Landmark (Bergen), Laznia (Gdansk)

one year, two to go

multimorf_screengrab1, originally uploaded by hc gilje.

It´s now a year ago since I started with my research fellow project “Conversations with spaces”. It´s been a busy year, and the last few months I have not been able to follow up the blog very much unfortunately, mostly due to my work with the two soundpockets projects I did as part of Urban Interface Oslo (which runs until oct 7th). I will come back to this project in a later entry.
I made a small trip to Ars Electronica, and had a nice talk with Julien Maire and Pablo Valbuena, and I might write a little bit about their projects later.

The image for this entry is from a performance I did yesterday, making a visual landscape for a concert written by Knut Vaage. I used the textures of the instruments, mainly brass instruments, as my source material, and had my first go at programming opengl shaders for the live processing.

I am doing a small tour this week together with Justin Bennett with our Mikro project, live sampling of our surroundings using microscope and EM sniffers ++. We play in Brussels on thursday october 4th, Den Haag sunday the 7th and in Amsterdam on the 8th.
I will also be part of a group show in Brussels, which is the opening of the new space of IMAL. I will show the three-channel version of nodio there.