My new light installation created for the 3rd floor of Woodstreet Galleries. It´s a 15m (50 ft) animated light installation running through the whole space.
portrait by Joey Kennedy. All rights reserved by joeykennedyphotography
I have made two new works for my exhibition at IMAL, which is my first solo show in Belgium (29.04-22.05.2011).
As in my recent installations blink and split I am interested in relating directly to the architecture of the exhibition space. The main IMAL space is about 200m2 with a grid of 12 columns. The circular discs are freestanding sound modules (five in total) placed on the floor. A slowly-paced sequence of projection and sound transforms the space into a contemplative environment.
The other installation explores through projection,light and reflection the inside,outside and perimeter of a circle mounted at a 90 degree angle to the floor. This is a first in a series of work creating dynamic volumes out of precisely cut flat shapes (in this case using a cnc mill).
For more images (also in print quality) from both installations take a look at my flickr set from the exhibition.
My exhibition at HKS contained two new installations, both named blink. The first blink has already been mentioned.
In the cellar of the gallery I set up an artificial sundial, 24 leds placed in a circle, moving the shadows of the people standing within the circle.
I used the dimsun lighting system which I made this summer, based on power LEDs and arduino controlled LED drivers (TLC5940).
Last week I was in Budapest for the first time, a fantastic city!
I was invited to take part of a Touch – Punkt event as part of the Temps d´Images festival. The Touch label came with Mike Harding and Jon Wozencroft which gave a short seminar, and with the artists BJNilsen(laptop) and Hildur Ingveldardóttir Gudnadóttir (cello).
The concept of Punkt, which is a festival in Kristiansand run by Erik Honoré and Jan Bang is to sample a concert as it is being played, and using that sampled material as the basis of their own concert following straight after. They had invited Sidsel Endresen to join them on vocals, and Andras Halmos from Trafó had invited me to create the visual part of the concert.
I wanted to stick to the concept of using the first concert of BJNilsen and Gudnadóttir as the departure point for my video.
I created a very long image buffer, 12000×480 pixels. For recording, I could move sideways through the buffer and add images into the buffer, and eventually adding layers of overlapping images as the two concerts progressed. The image above is a small sample of what the buffer looked like at the end of the concert. For playback I had a very slow horisontal movement, so it would take several minutes to move through the buffer.
I wanted the recording head to move faster than the playback head so the images wouldn´t appear in a chronological order, and which also created some interesting layers of time.
Unfortunately I still don´t have any good images from the concert, the one at the top of the post is taken from my video camera with nightshot on, but you get an idea of the scale, it was a huge image behind the performers.
I was also supposed to do an hour presentation at Kitchen Budapest for maybe 10-15 people, but they convinced me to participate in a tech-pecha kucha event (so 20 slides, each showing for 20 seconds= 6min 40 sec) at the Merlin Theater with 300-400 people in the audience, so that was a strange but interesting experience. My impression was that people were sincerely interested in the content, my previous experiences with pecha kucha events has had a strong focus on entertaining, but superficial presentations.
By a weird coincidence one of the other presenters was Maté Gaspar from the theatre company Krétakör (website in hungarian) who I had been in touch with a year ago, so I got to visit their amazing workspace.
I also got a short tour of the Kitchen Budapest facilities, and finally met Adam Somlai-Fischer, who was supposed to be part of my seminar last fall.
Mikro is a series of improvised performances using the immediate surroundings as raw material: A microscope captures everyday objects and surfaces like wallpaper, coins, clothing, furniture, newspapers and transforms it into an explosive universe of textures. Contact microphones and electromagnetic sniffers pick up unhearable sounds to create the live soundtrack.
Mikro is a collaboration between HC Gilje (video) and Justin Bennett (sound).
Performances so far:
Paradiso (Amsterdam), IMAL (Brussels), TAG (den Haag), DNK (Amsterdam), Bergen Kunsthall Landmark (Bergen), Laznia (Gdansk)
I was back in Berlin for a week in beginning of july, and got the chance to see the excellent exhibition BackJumps -the Live issue #3, which cover new and recent street art works in Germany and the rest of the world. It was partly a exhibition using the huge space at Kunstraum Bethanien, and partly documentation of work from urban spaces. I saw many interesting projects, but will mention two which relates directly to this project blog:
The first one is a animation shown on a monitor in a small room (see image). What´s interesting is that the animation was made on the walls in the same space and you see the trails of the animation on the walls. It is made by Bologna based Blu.
The other project was part of CubaBrasil, Los Berlin BeamBoys, which did huge video projections on buildings in Cuba, partly as a way of bypassing the censorship of certain political slogans and images.
Another useful link, reclaim your city .
I also picked up an interesting book at DAZ, Urban Pioneers: Temporary Use and Urban Development in Berlin. It just came out, but already some of the locations covered in the book have disappeared and been replaced by new buildings.
Google Earth has implemented a new technology called street view, developed by Immersive Media
This could roughly be seen as a mix of very advanced quicktime VR and a film effect from The Matrix movies. Interesting to me as another example of the interrelation between space,time and motion.
From the Google Earth Blog:
“One of the many secrets behind their technology is a patented 11 lens camera system that simultaneously takes photos in 11 directions based on a dodecahedron geometry. They can capture 30 frames a second of high resolution photography. That’s right – we’re talking high resolution video in digital 360. You can stop, start, back up, single-frame, etc”