waiting for the summer: newsletter may 2015

While we are waiting for summer to arrive here in Norway I thought it was time with a little update from me. A few big projects have occupied me the last months, and now I am busy preparing the coming half year.

my second solo show at Wood Street Galleries with the installations flimmer, revolver and spin

Wood Street Galleries consists of two floors of about 175 m2 (1800 square ft) each.

On one floor I created a new installation, flimmer: light and wind passes through a volume of black strips suspended from the ceiling in the white gallery room.
flimmer

video documentation of flimmer:

On the other floor the walls where painted black, and I created two rooms with half-transparent walls to contain the installations revolver and spin.
revolver-woodstreet-newsletter

spin-newsletter

Video documentation of revolver and spin at Wood Street Galleries:

The exhibition opened on April 24th and closes on June 21st.
http://woodstreetgalleries.org/

junction: light-motion installation under King Williams Bridge, Adelaide

junction

I was invited to be part of the Blinc program of Adelaide Festival of the Arts which opened end of february. I selected my location because of the beautiful arches of the underpass of the bridge and used that as the departure point for this site-specific installation. You can read more about the project in the link below, which also contains a video documentation and some more images.

https://hcgilje.wordpress.com/2015/03/31/junction-light-motion-installation-under-king-william-bridge-for-the-adelaide-festival-of-the-arts/

 

video of the installation kile(wedge) presented at Solund Light Art Festival in november 2014

the video wasn´t ready for the previous newsletter, so here it is:

(I am planning to show something at this year´s festival as well!)

 

upcoming this summer: Maja Ratkje + HC Gilje at Kongsberg Jazzfestival, July 3rd

It´s been a while since our last performance together, and this one is a bit special to me as it is the first time I show work in my city of birth, Kongsberg.
http://kongsbergjazz.no/

video excerpt from our performance at the Sonica festival in Glascow 2013:

 

upcoming this summer: light-motion installation at SALT, Sandhornøy, opening August 21st

SALT-newsletter

This is something I am quite excited about: I am making a light-motion installation for a 140m (450 ft) long fish rack designed by Finnish architect Sami Rintala placed on a white sand beach on the beautiful island of Sandhornøy in the north of Norway.

http://www.salted.no/

 

The fall

confirmed activities for the fall includes participation at the Norwegian Sculpture Biennale, two solo shows in Norway, as well as a project for Dark Ecology.

PS
I mentioned a book release in the last newsletter, this is put on hold for a while. If anybody knows about an interesting art book publisher please let me know.

 

revolver

Revolver is a new work by HC Gilje, commissioned by Sonic Acts and developed for The Dark Universe exhibition at NASA, Amsterdam. It evolved from Gilje’s earlier light installation 7 Cirkler (ZKM, 2012).
It is a structure of light animations using three circles of LED-lights. Combined together this produces complex patterns of light and shadow on the walls in the exhibition space.


Revolver and 7 cirkler have several things in common: light animations moving on the inside of circles suspended from the ceiling, casting shadows of the circles onto the surrounding walls. They both use white, red and blue, and they both exploit the effect of complementary colours that appear in the shadows.
They are put together quite differently though. 7 cirkler is a composition clearly connected to the music of Else Marie Pade: The light moves upwards in the circles with alternating white and blue circles and descend with alternating white and red circles.
Revolver consists of three circles which are spaced as tightly together as possible to achieve a very narrow band of colors on the walls. They are hung at eye-height with the idea that people will first discover what is going on on the walls rather than look at the lights. The walls are a much more integrated part of the work in revolver, as the shape is designed to work with the projections from the circles.

The biggest difference is the structure and relation of light and sound. 7 cirkler was a composed piece. I think of revolver more as a audiovisual-spatial drone, an endless loopmachine: It is basically the layering of simple loops resulting in a more complex structure.
Loops of lights and sound are brought into the exhibition space, where they are tuned and mixed in the physical space. So it is the interference of sound and light waves, together with the physical construction of the circles and surrounding walls that creates the mix. This means I have a vague idea of what might happen when I start setting up the installation, but it´s really working in the space (experimenting with speed, width and color of light) that determines how the installation turns out.

The combined movement of light and sound creates a space that revolves around you. In much of my work I seek through repetitive slow movements to create something that resonates with the body, establishing a correspondence between mind and the physical space through the body.

blink blink

My exhibition at HKS contained two new installations, both named blink. The first blink has already been mentioned.

In the cellar of the gallery I set up an artificial sundial, 24 leds placed in a circle, moving the shadows of the people standing within the circle.

I used the dimsun lighting system which I made this summer, based on power LEDs and arduino controlled LED drivers (TLC5940).